HIDDEN ERROR: Usage of "Associated Acts" is not recognized
Barry Manilow (born Barry Alan Pincus; June 17, 1943) is an American singer-songwriter and producer. He is best known for such recordings as "Mandy", "Can't Smile Without You", and "Copacabana (At the Copa)".
In 1978, five of his albums were on the best-seller charts simultaneously, a feat equalled only by Herb Alpert, The Beatles, Frank Sinatra, Michael Jackson, Bruce Springsteen, and Johnny Mathis. He has recorded a string of Billboard hit singles and multi-platinum albums that have resulted in him being named Radio & Records' No. 1 adult contemporary artist, and winning three straight American Music Awards for favorite pop/rock male artist. Between 1974 and 1983 Manilow had three No. 1 singles and 25 that reached the top 40. Although not a favorite of music critics, Manilow has been praised by several well-known entertainers, including Sinatra, who was quoted in the 1970s saying, "He's next." In 1988, Bob Dylan stopped Manilow at a party, hugged him and said, "Don't stop what you're doing, man. We're all inspired by you."
Barry Manilow is the debut album by Barry Manilow. It was released as Barry Manilow in 1973, then re-mixed and re-released as Barry Manilow I in 1975.
"Could It Be Magic", "One Of These Days" and "Oh My Lady" were remixed at Media Sound Studios, NYC, April 1975 for the re-release on Arista Records. This version was also re-issued by Arista Records on CD.
Barry Manilow is the sixth self-titled album released by singer and songwriter Barry Manilow. Manilow released a total of six self-titled albums in his career: Barry Manilow (later re-released as Barry Manilow I), Barry Manilow II, Barry, Manilow, and this album with the same title as his first. The album was released in 1989, and reached Gold certification. This album also represented a hint of future album releases...95% of the songs were not written/co-written by Manilow, which had up until that point been rare. Manilow, known for being a composer, typically always stocked his albums with material he co-wrote with his celebrated lyricists. After the release of this album, the 1990s dawned and a new era in his career began as he embarked on introducing contemporary audiences to pop music of the 1930s through the late 1940s. This album is also one of his longest of original material, clocking in at nearly an hour. There are few up-tempo songs, favoring ballads of which he is known to perform.
Jillian Rose Banks (born June 16, 1988), known simply as Banks (often stylized as BANKS), is an American singer and songwriter from Orange County, California. She releases music under Harvest Records, Good Years Recordings and IAMSOUND Records imprints of the major label Universal Music Group.
She has toured internationally with The Weeknd and was also nominated for the Sound of 2014 award by the BBC and an MTV Brand New Nominee in 2014. On May 3, 2014, Banks was dubbed as an "Artist to Watch" by FoxWeekly.
Jillian Rose Banks was born in Orange County, California. Banks started writing songs at the age of fifteen. She taught herself piano when she received a keyboard from a friend to help her through her parents' divorce. She says she "felt very alone and helpless. I didn't know how to express what I was feeling or who to talk to."
Banks used the audio distribution website SoundCloud to put out her music before securing a record deal. Her friend Lily Collins used her contacts to pass along her music to people in the industry; specifically Katy Perry's DJ Yung Skeeter, and she began working with the label Good Years Recordings. Her first official single, called "Before I Ever Met You" was released in February 2013. The song which had been on a private SoundCloud page ended up being played by BBC Radio 1 DJ Zane Lowe. Banks released her first EP Fall Over by IAMSOUND Records and Good Years Recordings.Billboard called her a "magnetic writer with songs to obsess over." Banks released her second EP called London by Harvest Records and Good Years Recordings in 2013 to positive reviews from music critics, receiving a 78 from Metacritic. Her song "Waiting Game" from the EP was featured in the 2013 Victoria's Secret holiday commercial.
Charles Dickens' works are especially associated with London which is the setting for many of his novels. These works do not just use London as a backdrop but are about the city and its character.
Dickens described London as a Magic lantern, a popular entertainment of the Victorian era, which projected images from slides. Of all Dickens' characters 'none played as important a role in his work as that of London itself', it fired his imagination and made him write. In a letter to John Forster, in 1846, Dickens wrote 'a day in London sets me up and starts me', but outside of the city, 'the toil and labour of writing, day after day, without that magic lantern is IMMENSE!!'
However, of the identifiable London locations that Dickens used in his work, scholar Clare Pettitt notes that many no longer exist, and, while 'you can track Dickens' London, and see where things were, but they aren't necessarily still there'.
In addition to his later novels and short stories, Dickens' descriptions of London, published in various newspapers in the 1830s, were released as a collected edition Sketches by Boz in 1836.
London is a poem by Samuel Johnson, produced shortly after he moved to London. Written in 1738, it was his first major published work. The poem in 263 lines imitates Juvenal's Third Satire, expressed by the character of Thales as he decides to leave London for Wales. Johnson imitated Juvenal because of his fondness for the Roman poet and he was following a popular 18th-century trend of Augustan poets headed by Alexander Pope that favoured imitations of classical poets, especially for young poets in their first ventures into published verse.
London was published anonymously and in multiple editions during 1738. It quickly received critical praise, notably from Pope. This would be the second time that Pope praised one of Johnson's poems; the first being for Messiah, Johnson's Latin translation of Pope's poem. Part of that praise comes from the political basis of the poem. From a modern view, the poem is outshined by Johnson's later poem, The Vanity of Human Wishes as well as works like his A Dictionary of the English Language, his Lives of the Most Eminent English Poets, and his periodical essays for The Rambler, The Idler, and The Adventurer.
New York winter Traffic squeals
The city feels...so old
Late December taxi ride
Then run inside it's cold
Got your letters Monday
I think or Tuesday
I lose track
since then I've been thinking of you
and I've been looking back to
London
Can you believe it's so many years since
London
Hitching a ride and carrying knapsacks
London
In the park by the Thames Drinking tea
London
sitting in pubs and living in walk-ups
London
Learnin' the accent learnin' to love you
London
We were young we were sure
We were... free
Was it really ages
Ago the memories Never fade
can you hear Big Ben where you are
and are you glad you stayed in
London
Dodging the rain with broken umbrellas
London
Readind the Times on saturday picnics
London
Counting stars 'till the stars
All were gone
London
So many plans and nothing but time in
London
Nothing to fear 'cause nothing could last in
London
We grew close we grew scared
I moved on
Oh London
What were we scared of
Why did I run from London
Part of me still has
Never come back from London
Is it fair that I miss
You so much
Take good care all my love
Keep in touch
New York winter taxi ride